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Ghosts are among us. On the other side of death, the spirits of departed souls have been part of human myths and beliefs as long as anyone can recall. Some of the most powerful and affecting images in fiction are of ghosts, spirits, visitations from beyond the veil of death.
Ellen Datlow, an editor whose stellar career has garnered her World Fantasy Awards, a Stoker Award, and a Hugo Award, has long been fascinated by ghosts. Now she has brought together an array of all-new, original ghost stories for the shivering delight of readers who are ready to be frightened.
And that's no idle threat. These are not friendly ghost stories. This book is called The Dark because the editor asked her favorite authors specifically for stories that would provoke fear or disquietude, tales that would cause shivers down the spine and make readers want to keep a light on when they retire to bed for the night. The authors who answered her call compose an all-star cast of brilliant storytellers, including such award-winning, certifiably masterful authors as Ramsey Campbell, Jeffrey Ford, Charles L. Grant, Glen Hirshberg, Kathe Koja, Tanith Lee, Kelly Link, Sharyn McCrumb, Joyce Carol Oates, Lucius Shepard, and Gahan Wilson. Frighteningly good writers. Each has penned a unique tale unlike any of the others. All have cast dark spells that are sure to inspire fear or unease in the hardiest of readers.
- Sales Rank: #5514689 in Books
- Brand: Brand: Tor Books
- Published on: 2003-10-24
- Original language: English
- Number of items: 1
- Dimensions: 9.64" h x 1.30" w x 6.36" l,
- Binding: Paperback
- 384 pages
- Used Book in Good Condition
From Publishers Weekly
Ghosts with surprising substance flit through this sterling anthology of new weird tales, and most have purposes more sophisticated than the chain rattling and caterwauling of their old-fashioned forebears. In Jeffrey Ford's "The Trentino Kid," the ghost of a teenager serves as an instructive specter of unfulfilled promise for the aimless narrator. Lucius Shepard's "Limbo" features an obsessive romance between a spiritually deadened criminal, who can't tell life from the afterlife, and an enigmatic young woman who complicates his predicament. In Glenn Hirshberg's "Dancing Men," the ghost is the shadow of the Holocaust, which haunts a survivor of the concentration camps and becomes an indelible legacy passed on to future generations of his family. Even when more traditional ghosts appear, such as the grandfather clock animated by the spirit of a murder victim in Tanith Lee's "The Ghost of the Clock" and the lingering influence of a madwoman that terrorizes a child in Ramsey Campbell's "Feeling Remains," they have a psychological dimension that adds depth and power to their horrors. Datlow has cast her net beyond the horror genre's usual names and pulled in contributors whose stories are the equal of their best work, as well as mystery, fantasy and SF writers whose tales seem to be the ghost story they've always wanted to tell. Just as her anthology Blood Is Not Enough (1989) helped redefine the vampire for modern readers, this book is sure to provide a yardstick by which future ghost fiction will be measured.
Copyright 2003 Reed Business Information, Inc.
From Booklist
The ghost story is making a comeback, editor Datlow says. To prove the point, she presents 16 brand-new examples, agreeably varied in locale, period, and style. Jeffrey Ford's "The Trentino Kid" and Gahan Wilson's "The Dead Ghost" are faux memoirs, Ford's emotional, Wilson's characteristically wry. In the pitch-perfect "The Gallows Necklace," Sharyn McCrumb exploits an interwar Oxford setting, while in "The Hortlak," Kelly Link makes the most of the convenience store at the end of the world as we know it. In Death Valley in Mike O'Driscoll's "Silence of the Falling Stars" and in a not-so-old, dark house in Terry Dowling's "One Thing about the Night," no ghost shows, but that doesn't reduce their chill factors. If a few entries flop, Lucius Shepard's novella-length "Limbo" more than compensates. About a "retired" thief who, on the run from his former boss, repairs to a cabin in the woods, this stunner reads like a collaboration between Elmore Leonard and British horror icon Arthur Machen; hard as the former, lush as the latter, it's a masterpiece. Ray Olson
Copyright � American Library Association. All rights reserved
Review
" This book is sure to provide a yardstick by which future ghost fiction will be measured."--Publishers Weekly (Starred Review)�"Top-drawer."--Kirkus Reviews
Most helpful customer reviews
10 of 11 people found the following review helpful.
Unfortunately, not as good as Datlow's other anthologies
By Traveler
I so badly wanted to give this book five stars. I can only offer my apologies to the many Datlow fans out there. And I'm one of them.
I've read all six of the fairly tale/fantasy anthologies that Ellen Datlow created with Terry Windling. Of those, I would give five stars to five out of the six volumes. They were all that good. Perhaps I simply have expecations carried over from those books which simply don't apply here. In those books the stories tended to have a point or a moral. That's the nature of many fairy tales. Obviously, this is much less so with ghost stories.
The problem I have with "The Dark" is not only that many of the stories didn't seem to have a point to make, it's that the book misrepresents itself on the cover. The image you see is of a cloudy night with bats flying eerily through the sky. It denotes gothic, damp and foggy stories about being lost in the woods, visiting an eastern European country, or a ghost story from a hundred years ago. To give Datlow credit, she explains in her introduction that these are "new" ghost stories that sometimes tell about spirits appearing in mid-day to demand their revenge. But she also states that she hopes the stories will keep readers awake at night.
And that, essentially, is what the problem is. Some of these stories are excellent literary character studies. For example, "The Trentino Kid," the first story in the book, is a good look at a clam digger having to confront the lack of direction in his life. It's a very good read. But it is not that scary. There are other stories that follow the same pattern - such as "The Silence of the Falling Stars" about a park ranger in Death Valley.
Then there the stories that just shouldn't be in the book at all. I have no idea why "The Dead Ghost" is even in this anthology. It comes off as an exercise from a college writing course. It's not that the writing is bad - it's not - it's that it's a single scene with no emotional build-up.
If you're looking for just good stories with an element of supernaturual, buy this book. If you're looking for something that keeps you awake at night, look elsewhere.
9 of 11 people found the following review helpful.
Good outweigh the not-so-good
By Barks Book Nonsense
Jeffrey Ford's "The Trentino Kid," starts things off on a slightly creepy note. It's about a guy who has frittered his youth away in what he thought was an easier route. He's regretting the choices he's made when he comes across a ghost that'll force his hand in a (hopefully) new direction. This is a story that'll resonate with anyone who wishes they had taken a different path years earlier. I know it certainly struck a nerve with me!
Tanith Lee's "The Ghost In The Clock" is atmospheric as is her usual style and features a tale of a clock with a horrific past, a ghost and a good dose of madness. Descriptive writing, a creeping sense of unease make this one a chill inducing read.
"The Thing About the Night" just wasn't to my taste. Too scientific, me thinks.
"The Silence of the Falling Stars about a park ranger whom I didn't care for at all didn't work very well for me either, I'm afraid. I can't pinpoint where it went wrong. I just found it dull overall.
Gahan Wilson's "The Dead Ghost" was a short and to the point recounting of an injured man's encounter with an overweight, naked ghost. I enjoyed this one, maybe because it was a nice breather after the previous two stories which I thought were both over long.
Oates "Subway" is a haunting but somewhat familiar story of tragedy and a woman's never-ending search for love.
"The Seven Sisters" is a story about 7 formerly grand homes now falling to ruin. This one didn't resonate with me in any way and I can't really remember much else about it.
"Doctor Hood" was more accessible the the previous story. It's about a woman returning to her childhood home because she's worried about her increasingly distant father. It's about loss, letting go and features a good dose of ghostbusting. I enjoyed the originality of the end of this one.
"An Amicable Divorce" is a story rooted in tragedy and is deeply emotional. It's about a man still deeply in love with his ex-wife. Sadly, she isn't at all in a good place to return his love but calls him often and begs for help with a creature that is inhabiting their home late at night. This one gets under your skin and lives up to the promises made by the editor and, despite it's very gloominess, was probably my favorite.
"Feeling Remains" is about a young boy whose feminist mom seems more interested in everyone but him. After forcing him to care for an aging neighbor who dies, he's haunted by the old lady's treasured book of photos. This story, the neglect of the child, and the over-the-top selfishness of the mother annoyed the heck out of me.
"The Gallow's Necklace by Sharyn McCrumb" was a "past coming back to haunt you" type of ghost story that was very enjoyable. The idea of the Gallow's Necklace was so utterly chilling it won't be something easily forgotten.
"Brownie, and M" Charles Grant has always been a difficult read for me. His quiet style of horror didn't work for me when I was younger and more into the likes of Clive Barker & Poppy Z. Brite but this story, about a group of elderly friends who are all experiencing strange haunting phenomena, is disquieting in a way that kept me turning the pages. Or, maybe I'm finally old enough to appreciate him ;)
"Velocity by Kathe Koja" Unlike Grant, I adored Kathe Koja's earlier work (Cipher and the lot) even though the style was extremely difficult to get into. She was always one of those love 'em or hate 'em type of writers who I happened to love. I worked my through her books of body modification and love affairs gone sour and always looked forward to more. Somewhere along the way I lost touch with her work and no longer have patience for the fractured writing style when I try to go back and re-read them. This story wasn't nearly as difficult as her longer novels but it didn't move me and isn't one I'll remember come tomorrow.
"Limbo by Lucius Shepard" is a novella length tale of a former criminal finding love. Or so he thinks. I loved the revenge theme of this one and how it all tied together so nasty-like at the end.
"The Hortlak by by Kelly Link" is the kind of weirdly quirky short story that I really enjoy. It's sort of a David Lynch-like version of "clerks". The world has been turned upside down, zombie's wander thru convenience stores, a strange clerk revels in bizarre pajamas, and a woman gives homeless dogs one last glimpse of fun and freedom. It's all very strange and doesn't always come together in a cohesive way but I couldn't turn the pages fast enough.
"Dancing Men by Glenn Hirshberg" is a coming of age/innocence lost type of story where one young boy has to face his grandfather's horrific memories of the Holocaust. This one is a gutwrencher because the horror here isn't of the invented variety.
Though the book contains a few small duds, the majority of the stories were genuinely creepy.
3 of 4 people found the following review helpful.
Exceptionally Well Written Intellegent Ghost Stories
By J. Fercho
I always enjoy a good scare, and was happy to come across this anthology of "new" ghost stories. These are not your typical chain rattling, spook filled, gorey tales. For the most part these stories focus on the subtle line between the living and the dead, playing on our fears of the unknown, and leaving the reader with an overall feeling of disquiet rather than downright fear. These stories will have you pondering the possibilities rather than jumping at noises in the night. My personal favorites were "The Trentino Kid", "Doctor Hood", and the very unnerving "An Amicable Divorce" If you can appreciate a "thinking" reader's ghost story, these are the tales for you.
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