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What We Talk About When We Talk About Love: Stories, by Raymond Carver
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In his second collection, including the iconic and much-referenced title story featured in the Academy Award-winning film Birdman, Carver establishes his reputation as one of the most celebrated short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.
- Sales Rank: #5700 in Books
- Brand: Carver, Raymond
- Published on: 1989-06-18
- Released on: 1989-06-18
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 5.20" l,
- Binding: Paperback
- 176 pages
Amazon.com Review
"What We Talk About When We Talk About Love" is not only the most well-known short story title of the latter part of the 20th century; it has come to stand for an entire aesthetic, the bare-bones prose style for which Raymond Carver became famous. Perhaps, it could be argued, too famous, at least for his fiction's own good. Like those of Hemingway or any other writer similarly loved, imitated, parodied, and reviled, these stories can sometimes produce the sense of reading pastiche. "A man without hands came to the door to sell me a photograph of my house." "That morning she pours Teacher's over my belly and licks it off. That afternoon she tries to jump out the window." "My friend Mel McGinnis was talking. Mel is a cardiologist, and sometimes that gives him the right." What other writer ever produced first sentences like these? They are like doors into Carverworld, where everyone speaks in simple declarative phrases, no one ever stops at one beer, and failure or violence are the true outcomes of the American dream.
Yet these stories bear careful re-reading, like any truly important and enduring work. For one thing, Carver is one of the few writers who can make desperation--cutting your ex-wife's telephone cord in the middle of a conversation, standing on your own roof chunking rocks while a man with no hands takes your picture--deeply funny. Then there is the sheer craft that went into their creation. Despite their seeming simplicity, his tales are as artfully constructed as poems--and like poems, the best of them can make your breath catch in your throat. In the title piece, for instance, after the gin has been drunk, after the stories have been told, after the tensions in the room have come to the surface and subsided again, there comes a moment of strange lightness and peace: "I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark."
Much of what happens in What We Talk About When We Talk About Love (1981) happens offstage, and we're left with tragedy's props: booze, instant coffee, furniture from a failed marriage, cigarettes smoked in the middle of the night. This is not merely a matter of technique. Carver leaves out a great deal, but that's only a measure of his characters' vulnerability, the nerve endings his stories lay bare. To say anything more, one feels, would simply hurt too much. --Mary Park
Review
"Carver's fiction is so spare in manner that it takes a time before one realizes how completely a whole culture and a whole moral condition is represented by even the most seemingly slight sketch. This second volume of stories is clearly the work of a full-grown master." —Frank Kermode
"Raymond Carver's America is...clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —Michael Wood, front page, The New York Times Book Review
"Splendid.... The collection as a whole, unlike most, begins to grow and resonate in a wonderful cumulative effect." —Tim O'Brien, Chicago Tribune Book World
"Carver not only enchants, he convinces." —J.D. Reed, Time
From the Inside Flap
In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good book
By Dan Duffy
She was introduced to me as a cardiologist so I said oh one of my favorite stories is told by a cardiologist. That meant nothing to her so I resolved to buy her What We Talk About When We Talk About Love and for the moment moved on to Rorie Childers, professor of cardiology at the University of Chicago for what fifty years now, grandson of the revolutionary, son of the president, and told the physician some of his Brendan Behan stories. You don't have to know who Brendan was to enjoy them. Brendan was a fountain of stories long before he wrote a word. I can also sing Mountains of Mourne, Kathleen Mulvany, and the Parting Glass but we didn't get that far into my stage Irish act. I liked her so I did order the book the next day. I noticed on Amazon that the story had become a great work since its editor suggested I read it when the collection came out in 1981. He was my teacher. Thinking back on reading Raymond Carver that way reminds me of Harvard Knowles typing out poems and stories to mimeograph for us in the fall of 1978. I.A. Richards had done that at one of the old British universities early in the twentieth century, reporting the written reactions of his students to these anonymized works in his Practical Criticism. The critical situation is so pure. "I offer this work to your attention. What do you think of it? What support for your view can you offer from the document which we all have in our hands?" What Harvard was teaching us, by the way, is a social practice by which this country is governed. We were not writing students. Anyways. For thirty years now writing students in the United States have already known that Raymond Carver is something else. Many even have opinions about Gordon, his editor, my teacher, who got Ray across to a large paying public. I missed all that, got to just read what he had to say. I thirteen years later recited the first paragraph of What We Talk About to the assembled staff of the Literature Publishing House in their offices in the stable behind the Ha Noi mansion they had rented out to a photo developer. As I have got to know the novelist David Willson more and more over decades we have shared our common roots in Yakima, where both David and Ray are from and where my brothers and I and a great deal of the world picked fruit. I once found Yakima in common between me and an Indian man I happened to walk out of the same Manhattan apartment house with to the subway. Anyways. "My friend Mel McGinnis was talking. Mel McGinnis is a cardiologist, and sometimes that gives him the right".
1 of 1 people found the following review helpful.
Carver leaves hallows in the page and heart
By CACurtis
As much as I want to say I ‘enjoyed’ this collection, I cannot, it was far too bleak to find pleasure in the reading. I did however, continue to consume each story in short bursts, savoring the strange, dark misadventures of human love and folly. Indeed what makes Carver’s writing so strange is the incredibly sparse language and equally bleak atmosphere. It is an unsettling combination that leaves hallows in the page, and yet complete characters are revealed in those absences of description. What little that is shared is somehow more than sufficient to craft a precise moment in time and place. Then punches you in the gut with the subtlest detail. One way or another, if you dare to read them, you will find your way through the void to a strangely familiar place.
A note on the physical book itself, I purchased my copy here via Amazon, and it's a thin paperback. Easy to carry around but more flimsy than I'd like. That said, I am very pleased to note the cover image is lovely reproduction of a photograph by artist Todd Hido.
0 of 0 people found the following review helpful.
Loved it.
By SAF
This is one of those books that people will either love or hate. I loved it! Simple stories about complex people, some tragic, some hopeful and some downright just funny,in an ironic sense. Carver writes as if he's sitting across the room from you with a drink in his hand, telling you his stories. Haven't read an author that says some much with so few words since Hemingway.. This is my first book by Raymond Carver but I will certainly order more of his work.
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